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Made with Padlet

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Winter 2022: Full Bloom, by Hunter Drohojouska-Philp

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Listen to all of our recorded chats for this book. The audio is free. Any web browser can be used to listen.
  • In Conversation with the author ​

Fall 2022: The Mirror and the Palette, by Jennifer Higgie

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Listen to all of our recorded chats for this book. The audio is free. Any web browser can be used to listen.
  • Alice Neel
  • Naked, Chapter 7
  • Translation, Chapter 6
  • Solitude, Chapter 5
  • Hallucination, Chapter 4
  • Allegory, Chapter 3
  • Smile, Chapter 2
  • Easel, Chapter 1
  • Prologue​

Summer 2022: This Dark Country, by Rebecca Birrell

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Listen to all of our recorded chats for this book. The audio is free. Any web browser can be used to listen.
  • Women Artists, Still Life, and Intimacy.
  • Dora Carrington, Chapter 1.
  • Carrington, Chapter 1, Part 2.
  • Edna Waugh, Chapter 2.
  • Ethel Sands, Chapter 3.
  • Mary Katharine Constance Lloyd, Chapter 4.
  • Gluck, Chapter 5.
  • Winifred Gill, Chapter 6.
  • Vanessa Bell, Chapter 7.
  • Gwen John, Chapter 8.
  • Nina Hamnett, Chapter 9.
  • Helen Coombe, Chapter 10.​

Spring 2022: The Eleven Associates of Alma Marceau, by The Old School Writers Circle

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Take a listen at all of our recorded chats for this book. Audio is free. You can listen from any web browser.
  • Art School Reveries / Winning an Art Prize.
  • The Wireless Club and Dead Technology.
  • Art: The Perfect Currency of the Bourgeois Bohemians
  • Think Long and Hard of a painting Before Speaking About it.
  • Painting the Invisible: Representing versus Visualizing.
  • Painting from Photographs: Indispensable or Derivative?
  • Sprezzatura in Painting: Try Less Hard.​

Winter 2021: James Elkins' WHAT PAINTING IS

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Fall 2021: Patti Smith's JUST KIDS

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Summer 2020: Mary Schmidt Campbell's AN AMERICAN ODYSSEY

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Spring 2020: Olivia Laing's THE LONELY CITY

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Winter 2019: Sarah Hall's HOW TO PAINT A DEAD MAN

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Fall 2019: Barbara Bourland's FAKE LIKE ME

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Summer 2019: Patrick White's THE VIVISECTOR

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Spring 2019: Ali Smith's HOW TO BE BOTH

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Winter 2018: Donna Tartt's THE GOLDFINCH

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